日本电影人平遥解读创作浪潮 冀激发东亚青年文化共鸣|日本老熟妇乱
1. 七十路人祖母和六十路人祖母
中新网晋中9月26日电 (记者 胡健)第九届平遥国际电影展26日举行以“又一个黄金时代”为主题的“大师·对话”活动，导演贾樟柯与日本东京国际电影节节目总监市山尚三、日本导演深田晃司、真利子哲也等电影人展开对谈，探讨日本新一代导演的创作浪潮。
本届电影展，深田晃司和真利子哲也带着最新影片《恋爱裁判》和《亲爱的陌生人》亮相“首映”单元。其中，《恋爱裁判》曾入围第78届戛纳国际电影节首映单元。市山尚三是日本知名电影制片人，曾负责贾樟柯多部电影制作。
市山尚三认为，在导演北野武、黑泽清、是枝裕和、河濑直美之后，日本电影出现一段创作空窗期。2014年，深田晃司、真利子哲也、滨口龙介和富田克也4位导演带着电影前往戛纳国际电影节，成为日本电影发展转折点。
面对日本电影观众大龄化问题，市山尚三介绍，“动画电影的反响还不错，真人剧情电影的话，40岁以上的年龄层比较多。”深田晃司看到平遥电影展的年轻观众群感慨道：“法国从基础教育阶段培养电影观赏习惯的做法值得借鉴，日本也需要思考如何让年轻一代对电影产生兴趣。”
谈及东亚电影特色，市山尚三认为：“做了30多年的电影节工作，这些年发现东亚电影之间的区别越来越小。事实上很多看似相近的作品，但内核仍有其独特性。”深田晃司认为：“东亚电影人更应强化区域联动，展现东亚地区本身的文化价值。”(完)
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