再演程派之韵 “秋声然冉——白思然个人专场演出”举办|波多野结衣456
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中新网北京7月16日电 (记者 高凯)为纪念京剧程派名家王吟秋先生诞辰100周年，“秋声然冉——白思然个人专场演出”日前在北京长安大戏院举办。
京剧程派艺术是中国戏曲宝库中璀璨的瑰宝，由京剧大师程砚秋于20世纪创立。其“幽咽婉转、刚柔相济”的唱腔风格在“四大名旦”中独树一帜。程派艺术以形写神，借旋律的起伏与身段的韵律，深刻刻画人物内心，兼具极高艺术审美价值与深厚文化内涵。众多程派剧目围绕女性悲剧命运或成长历程展开叙事，传递对人性与社会的深刻思考，历经百年依旧生机蓬勃。
作为著名京剧程派表演艺术家迟小秋的弟子，白思然此次携《锁麟囊》《碧玉簪》两出程派经典剧目完成专场演出。
京剧《锁麟囊》与《碧玉簪》都是程派艺术的传世之作，也是白思然恩师迟小秋擅演，且炉火纯青的经典剧目。
《锁麟囊》以程派唱腔见长，旋律跌宕起伏，诸多唱段广为流传。程派身段含蓄细腻，特别是程派的“水袖功十字口诀”最具代表性，将舞动的身姿、步伐、指法等程式化动作，凝练为“气韵连贯”的肢体语言，这些在其传人表演中都得到完美体现。《碧玉簪》以细腻心理刻画著称，尤以“三盖衣”一场最为经典。张玉贞的情感从疑惑、担忧逐渐过渡到羞赧、坚定，层层递进，配合“南梆子”唱腔，将女性的压抑与坚韧诠释得淋漓尽致。
白思然表示，选择演出《锁麟囊》《碧玉簪》，既是对经典的致敬，也是对师门传承的积极呈现，更是对自身习艺成果的全面检验。“在跟随师父学演《锁麟囊》《碧玉簪》的过程中，不光让我在程派艺术技能上，取得了质的提高，同时也使我深刻领悟到程派刻画人物内心的精妙之处。”(完)
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